Liking a band’s output and being fully engaged by it sometimes turn out to be two very different things.
Liking a band’s output and being fully engaged by it sometimes turn out to be two very different things.
Orville Peck represents a tectonic shift in country music that could have game-changing implications. So why doesn’t it feel like he’s making strictly country music?
Our attitudes about what we used to call “selling out” have changed for the better. In a way, McDonald’s is to thank for this shift in attitude. … Ughhhh.
The Shins took the bold step of getting paid for the use of one of their songs in 2002. So why did some people hate them for it?
Seattle’s Perfume Genius offered an exquisite, at times difficult, portrayal of what true empathy could sound like…but it arrived long before anyone was looking for it.
Okkervil River’s Will Sheff is a master at living in the spaces between traumatic events and their ultimate effects.
On his newest LP, Helado Negro performs the illusion of hiding beautiful truths in plain sight only to expose them, along the way crafting one of 2019’s best albums so far.
Is criticism an art in itself? We think so, and we’d love to explain the significance of that analysis by using the context of the current Billie Eilish geostorm as a jumping off point.
While the blogosphere was deluged in a veritable tidal wave of folk and indie rock music, making an album that would stand the test of time turned out to be an exercise in making one that was indisputably untimely.
If you haven’t yet discovered Discovery, get hyped on a crystal ball of an album that broke rules while prognosticating the shape of pop to come.
My Latest Novel’s debut still seems like the breakthrough album that should have been, and years later it remains a confident and assured work that plays by no one’s rules.
Blistering riffs and fully-formed themes come to life and leave none unscathed on David Nance Group’s new LP.
Predicated on a style of music that typically makes no impact, Foxwarren embarks on a shock-and-awe campaign through inner monologues and coping mechanisms that sounds like one of the best records of the year.
Liam Howlett and company have been ranting and raving for over 25 years in the attempt to create hard rave music for the masses regardless of shifting trends in electronic music.
Re-Critic’s first attempt at film dissection devolves into a chaotic maelstrom of asking what makes something “art”. Yikes.
In which we find our protagonist ending the year with a pre-emptive strike against a burgeoning (and possibly wholly imaginary) onslaught of opinions against vinyl as the music-buying market becomes increasingly complicated by waves of new and revived technologies.
As the sun sets on another year, let’s delve back in to the albums that made 2018 worth listening to.
Washed Out won in a genre that was barely a blip on the pop culture radar. Agree or not with chillwave being a thing, this song cannot be denied.
It might be a song about simply beginning a new life, or it may be a poetic meditation on the line between the living and the dead. Lost In The Trees’ 2014 song gets another look.