As the sun sets on another year, let’s delve back in to the albums that made 2018 worth listening to.
All in The Re-Critic
As the sun sets on another year, let’s delve back in to the albums that made 2018 worth listening to.
Neon Bible isn’t as universally loved as other Arcade Fire albums - is this a product of artistic overreach, or of a public less willing to invest in its message?
The Honorary Title’s story is a parable of how not to market a band. Their career was cut off at the knees before it truly began, but their accomplished debut album is worth your time.
Over a decade later, it might finally be time to reckon with the fact that Human After All is actually a pretty fantastic piece of work.
We try to define why Ben Kweller’s solo debut has stood the test of time…and fail spectacularly in the attempt
The best thing that Is This It has going for it is that it's not the best album of its time.
Recording is a kind of alchemy. While anyone can turn flour into bread, it takes a lot of skill and patience to turn lead into gold.
In era of unprecedented, unparalleled, unfettered access and availability, are we selling ourselves short by buying into a "news cycle" mentality?
Bowie's final work, inscrutably profound but simple - a puzzle to be put together, like the man himself.
When the Universe tells me I need to write about Fleetwood Mac, I tend to listen. Let's get real about the legacy of Rumours.
Our enjoyment of art is constant reaffirmation that the experiential can shape the abstract, and that's a good thing.
Now twenty-years-old, Holmes' second album is a masterclass in creating something truly cinematic while also serving as a love letter to NYC.
British Sea Power gave us a classic by daring to create a new mythology when the rest of the world was infatuated with American rock escapism and reeling from the shock of a post-9/11 reality.
Rogue Wave's 2005 masterpiece creates a rollicking and cohesive listening experience that perfectly hits the sweet spot.
A statement record from an immensely promising young artist that expertly navigated the realms of trip-hop and chillout - the world at-large wasn't ready for it.
Elliott's second LP in 1995 was way beyond the "drug album" label it initially received - a case could be made for it as his best album.
"How could it be then, that the perfect set of musicians in an amazing band made exactly the right album…at exactly the wrong time?"
Uh-oh, Re-Critic's going HAM in this one, broh...
In the game of defining context in the present, we almost always lose...which just means that we need to give it time, re-focus the lens...
In fiction, this idea is known as a retcon - "when a piece of new information imposes a different interpretation on previously described events"...