Albums are difficult to pull off well, but The Killers have spent over a decade making singles look easy. 2007’s Sawdust is an excellent case in point.
All tagged Indie
Albums are difficult to pull off well, but The Killers have spent over a decade making singles look easy. 2007’s Sawdust is an excellent case in point.
Some bands you have fun with, and some you remember forever. Art-pop aficionados, unite!
Liking a band’s output and being fully engaged by it sometimes turn out to be two very different things.
The Shins took the bold step of getting paid for the use of one of their songs in 2002. So why did some people hate them for it?
Seattle’s Perfume Genius offered an exquisite, at times difficult, portrayal of what true empathy could sound like…but it arrived long before anyone was looking for it.
Okkervil River’s Will Sheff is a master at living in the spaces between traumatic events and their ultimate effects.
While the blogosphere was deluged in a veritable tidal wave of folk and indie rock music, making an album that would stand the test of time turned out to be an exercise in making one that was indisputably untimely.
My Latest Novel’s debut still seems like the breakthrough album that should have been, and years later it remains a confident and assured work that plays by no one’s rules.
Predicated on a style of music that typically makes no impact, Foxwarren embarks on a shock-and-awe campaign through inner monologues and coping mechanisms that sounds like one of the best records of the year.
As the sun sets on another year, let’s delve back in to the albums that made 2018 worth listening to.
Sometimes the ability to triangulate a song into its particular time and place is a feature, not a bug.
Neon Bible isn’t as universally loved as other Arcade Fire albums - is this a product of artistic overreach, or of a public less willing to invest in its message?
We try to define why Ben Kweller’s solo debut has stood the test of time…and fail spectacularly in the attempt
Stephen Malkmus and his band are cornering the market on indie dad-rock for the ages, and the aged.
Two Montreal-based bands face off in a battle of who could care more. Who comes out on top?
In era of unprecedented, unparalleled, unfettered access and availability, are we selling ourselves short by buying into a "news cycle" mentality?
In a climate where reunions are a dime a dozen, every once in a while one comes along that seems more significant.
Car Seat Headrest borrows from old blues to make something new on Twin Fantasy.